CRITERION: Anatomy of a Murder Standard & Blu in February

WHAT:
WHEN:
STUDIO:
PRICE:
Anatomy of a Murder
February 21st
Criterion
Retail: 29.95, Our: $23.99
Buy Now
Add to QueueAdd to Queue Top Priority


WHAT:
WHEN:
STUDIO:
PRICE:
Anatomy of a Murder (Blu-Ray)
February 21st
Criterion
Retail: 39.95, Our: $31.99
Buy Now
Add to QueueAdd to Queue Top Priority

More studio cherry picking from Criterion, this time from Sony, as they have announced a February 21st release date for Anatomy of a Murder (1959) on both standard & Blu.

The bonus features will be numerous (below), and the standard release will be a 2-disc set.

SYNOPSIS:
A virtuoso James Stewart plays a small-town Michigan lawyer who takes on a difficult case: that of a young Army lieutenant (Ben Gazzara) accused of murdering the local tavern owner who he believes raped his wife (Lee Remick).

This gripping, envelope-pushing courtroom potboiler, the most popular film from Hollywood provocateur Otto Preminger, was groundbreaking for its frankness —more than anything else, it is a striking depiction of the power of words.

With its outstanding supporting cast—including a young George C. Scott as a fiery prosecuting attorney and legendary real-life attorney Joseph N. Welch as the judge—and influential jazz score by Duke Ellington, Anatomy of a Murder is a Hollywood landmark; it was nominated for seven Oscars, including best picture.

BONUS FEATURES:
  • New interview with Otto Preminger biographer Foster Hirsch
  • Critic Gary Giddins explores Duke Ellington’s score in a new interview
  • A look at the relationship between graphic designer Saul Bass and Preminger with Bass biographer Pat Kirkham
  • Newsreel footage from the set
  • Excerpts from a 1967 episode of Firing Line, featuring Preminger in discussion with William F. Buckley Jr.
  • Excerpts from the work in progress Anatomy of “Anatomy”: The Making of a Movie
  • Behind-the-scenes photographs by Life magazine’s Gjon Mili
  • Trailer, featuring on-set footage
  • PLUS: A booklet featuring an essay by critic Nick Pinkerton and a 1959 Life magazine article on real-life lawyer Joseph N. Welch, who plays the judge in the film

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